Aiyaa Review
Several
movies with the same cliched storyline but different movies have
plagued the Bollywood but a few movies have been trying to make it out
of the eclipse. Aiyaa Review is a different kind of entertainer that is not
completely cliched but is also not the routine story you see. Love at
first sight with a good twist, but convoluted and inarticulate at times.
Meenakshi's parents are looking for a match for her but the suitors never impress her and the matches become a routine with no success at the end of the day. Meenakshi on the other has dreams of a filmy love in her life.
In an unexpected twist of events, Meenakshi is attracted deeply to the scent of a man, Surya (Prithviraj Sukumaran) and falls in love with the scent (or the man?) What did you expect from such a whacko family? Meenakshi is a librarian whenever she is out of her dreams of being a Bollywood celeb. Madhav a suitor falls in love with her instantly while the love of her life. Surya being a drug addict ignores her very existence in the world despite her weird ways of following him. What a jodi between a whacko daydreamer and a junkie!
The date is set for her engagement with Madhav but it is only her love for Surya that strengthens as the day approaches.
Who would she choose? You have to make it to the theaters to know the rest.
Stereotypes
an cliches are everywhere but the mindless comedy with a decent
distance from being idiotic has worked for Aiyaa. This puts this above
the romantic comedy genre that we generally get to see in the movies of
today. The movie however is lacking in the fluent flow of a movie as if
several different pieces are sewn together; the stitches being obvious
even to the untrained eyes.
Concentrating on different characters at once make it a poor vichyssoise that doesn't blend in well. The story also feels abnormally long with the songs being placed at the wrong times. The first half could be all well to many but the second half is too much of a drag. The comedy doesn't really tickle your funny bones and a song at this time makes things worse. A few parts of the movie like the scenes between Meenakshi’s brother and her ludicrous colleague Maina could have been completely avoided to speed up the pace.
Rani
Mukherjee isn't like one of those heroines who looks 18 even after a
long gap. She has aged quite healthily but that doesn't stop her from
some of the finest dances in the movie. Her acting skill have also been
up to the mark often entertaining the crowd. It can be safe to say that
she is the sole actress who took on the movie on her shoulders, the
entire length.
Prithviraj is not only handsome but also a treat to watch with his well developed character. However, the movie could have been better if he stayed on the screen a little longer. Subodh Bhave does justice to his character. Most other over do their roles but they are not to blame.
The director had the wakda theme in his mind which entertained and also worked against him in the movie. With the classiest crew he worked with, he definitely should have made a better mark. Amit Trivedi's uncanny and catchy tunes are a nice addition. Dreamum Wakeuppam, Sava Dollar and Aga Bai are definitely worth a mention with great choreography to make things work better. What actually makes the movie special amid the cliched characters is the cinematography of Amalendu Chaudhary.
Final Word:
Aiyaa Review Though a movie that has a few bad moments, few long minutes and dull
scenes; Aiyaa is an good entertainer for the folk and a treat to fans of
Rani.
(AW- Anil)

- Film : Aiyaa
- Producer : Anurag Kashyap, Viacom 18
- Director : Sachin Kundalkar
- Star Cast : Rani Mukerji, Prithviraj...
- Music Director : Amit Trivedi
- Rating :
2.5
Other Ratings
Average Movie Rating




2.5
Sify
Not yet Rated
Deccan
Not Yet RatedThe Times of India
Not Yet RatedBharatStudent
Not Yet RatedRediff
Not Yet Rated
Story
Aiyya introduces you to the Bollywood day-dreams of Meenakshi Deshpande, Rani Mukherjee, who poses as different actresses dancing and running on the roads. The daydreamer is stuck with a family of melodrama. A chain smoker father who smokes four cigarettes at a time and a typical 80s mother who is extra dramatic regardless of the magnitude of reaction required. The blind grandmother is not normal either who whizzes across the rooms in her wheel chair with the sunglasses on inside her house. The brother is also a whacko with extreme love for dogs and espouses education completely. Welcome to the Deshpandes.Meenakshi's parents are looking for a match for her but the suitors never impress her and the matches become a routine with no success at the end of the day. Meenakshi on the other has dreams of a filmy love in her life.
In an unexpected twist of events, Meenakshi is attracted deeply to the scent of a man, Surya (Prithviraj Sukumaran) and falls in love with the scent (or the man?) What did you expect from such a whacko family? Meenakshi is a librarian whenever she is out of her dreams of being a Bollywood celeb. Madhav a suitor falls in love with her instantly while the love of her life. Surya being a drug addict ignores her very existence in the world despite her weird ways of following him. What a jodi between a whacko daydreamer and a junkie!
The date is set for her engagement with Madhav but it is only her love for Surya that strengthens as the day approaches.
Who would she choose? You have to make it to the theaters to know the rest.
Analysis :
Stereotypes
an cliches are everywhere but the mindless comedy with a decent
distance from being idiotic has worked for Aiyaa. This puts this above
the romantic comedy genre that we generally get to see in the movies of
today. The movie however is lacking in the fluent flow of a movie as if
several different pieces are sewn together; the stitches being obvious
even to the untrained eyes.Concentrating on different characters at once make it a poor vichyssoise that doesn't blend in well. The story also feels abnormally long with the songs being placed at the wrong times. The first half could be all well to many but the second half is too much of a drag. The comedy doesn't really tickle your funny bones and a song at this time makes things worse. A few parts of the movie like the scenes between Meenakshi’s brother and her ludicrous colleague Maina could have been completely avoided to speed up the pace.
Performance :
Rani
Mukherjee isn't like one of those heroines who looks 18 even after a
long gap. She has aged quite healthily but that doesn't stop her from
some of the finest dances in the movie. Her acting skill have also been
up to the mark often entertaining the crowd. It can be safe to say that
she is the sole actress who took on the movie on her shoulders, the
entire length.Prithviraj is not only handsome but also a treat to watch with his well developed character. However, the movie could have been better if he stayed on the screen a little longer. Subodh Bhave does justice to his character. Most other over do their roles but they are not to blame.
The director had the wakda theme in his mind which entertained and also worked against him in the movie. With the classiest crew he worked with, he definitely should have made a better mark. Amit Trivedi's uncanny and catchy tunes are a nice addition. Dreamum Wakeuppam, Sava Dollar and Aga Bai are definitely worth a mention with great choreography to make things work better. What actually makes the movie special amid the cliched characters is the cinematography of Amalendu Chaudhary.
(AW- Anil)










Though Sri Devi is the finest actress
in the industry, I could not help but worry initially about the movie
going over-the-top. Indian learning English in a movie and the end that
you picture in your mind would be a glib speaker. Gauri Shinde knows how
you think and makes it different. A highly refined storyline and a
poesy screenplay.
Sri
Devi is known to be an actress who could handle a film all by herself
and she does her job in the movie. She portrays herself as a mother (I
would not add great or good because there is no mother that is not). A
good wife, and also a humble student. Such subtle shades could be put on
only by an actress of her caliber. She truly is the hero of the movie. A
few times she seems to be going over-the-top with her humility but very
few.








Though
not an original story, it brings the Gujarati play written by Bhavesh
Mandalia to the screens. Definitely a movie far away from the hackneyed
movies that have droning plots or outright repulsive storyline.
Umesh Shukla has made a more than decent job of bringing the play to
the big screens. Being the main character, Paresh Rawal makes his
appearance in almost all the frames. But we all know what to expect from
Paresh Rawal; he only gets better by the day. With several witty
dialogues and arguments he never ceases to amuse you on screen and also
they are logically flawless too.
Paresh Rawal, enough said. He has never failed with his action, regardless of sloppy
story lines and poor dialogues at times too. For a man who could carve
the ornate wooden sculptures with rocks you can expect what he would do
with the him the chisel. His negative role is not a hindrance for you to
stop clapping at his dialogues delivered with utmost ease and miles
away from depicting hints of being forged. Akshay Kumar is fine in his
God role but the writers could have made his role even better trimming
off a few unnecessary parts. Mithun Chakraborty as one of the
stereotypical God-men is near perfect. His “broken-wrist” act can make
you squirm. Govind Namdeo could have stayed on the ground with his
saffron clothes but his action has gone a bit overboard, not
unnecessarily though. Poonam Jhawer has a minimalistic role which does
what it was intended to do, put a grin on your face at times. With a few
parts of the God-Men's scripting excerpts from the lives of the today's
fake babas, the laughs are doubled.






